Everything about Cakewalk totally explained
» This article is about the form of music and dance. For the musical notation program, see Cakewalk (sequencer).
For other meanings, see Cakewalk (disambiguation).
Cakewalk is a traditional
African American form of music and dance which originated among
slaves in the
Southern United States. The form was originally known as the
chalk line walk; it takes its name from competitions slaveholders sometimes held, in which they offered slices of
hoecake as prizes for the best dancers. It has since evolved from a parody of ballroom dancing to a "fun fair" like dance where participants dance in a circle in the hopes of winning a free cake.
Traditional dance
The dance was invented as a satirical parody of the formal European
ballroom dances preferred by white slave owners, and featured exaggerated imitations of the dance ritual, combined with traditional African dance steps. One common form of cakewalk dance involved couples linked at the elbows, lining up in a circle, dancing forward alternating a series of short hopping steps with a series of very high kicking steps. Costumes worn for the cakewalk often included large, exaggerated bow ties, suits, canes, and
top hats.
The Cake Walk was an adapted and amended two-step, which had been spawned by the popluarity of marches; most notably by
John Philip Sousa. The Cake Walk was more fluid and imaginative than the established two-step, it was nevertheless a regularized form, more improvisational than its previous form, but highly formalized compared to later dances such as the Charleston, Black Bottom and Lindy Hop.
In July 1898 the musical comedy "Clorindy The Origin of the Cakewalk" opened on Broadway in New York.
Will Marion Cook wrote ragtime music for the show. Black dancers mingled with white cast members for the first instance of integration on stage in New York. Cook wrote, "My chorus sang like Russians, dancing meanwhile like Negroes, and cakewalking like angels, black angels! When the last note was sounded, the audience stood and cheered for at least ten minutes. This was the finale which Witmark had said no one would listen to. It was pandemonium... But did that audience take offense at my rags and lack of conducting polish? Not so you could notice it!"
Performances of the "Cake Walk", including a "Comedy Cake Walk" were filmed by the American Motoscope & Biograph Co.in 1903. Prancing steps were the main steps shown in the "Cake Walk" segment, which featured two couples, and a solo dancer. All dancers were African American.
1903 was the same year that both the cakewalk and ragtime music arrived in Buenos Aires, Argentina. Leaning far forward or far backward is associated with defiance in Kongo. "We are palm trees, bent forward, bent back, but we never break." Another interpretations of these motions were "melting" to the beat, or protecting what is new (leaning forward) with the past (leaning back). The appearance of the cakewalk in Buenos Aires may have influenced influenced early styles of tango.
Dances by slaves were a popular spectator pastime for slaveholders, evolving into regular Sunday contests held for their pleasure. Following the
American Civil War, the tradition continued amongst African Americans in the South and gradually moved northward. The dance became nationally popular among whites and blacks for a time at the end of the 19th century. The music was adopted into the works of various white composers, including
Robert Russell Bennett,
John Philip Sousa and
Claude Debussy. Debussy wrote
Golliwog's Cakewalk as the final movement of the
Children's Corner suite (1908).
Modern times
The term "cakewalk" is often used to indicate something that's very easy or effortless. Though the dance itself could be physically demanding, it was generally considered a fun, recreational pastime. The phrase "takes the cake" also comes from this practice.
Quotations
Further Information
Get more info on 'Cakewalk'.
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